– D. Donovan, Sr. Reviewer, Midwest Book Review







Scroll down to the Teasers, Excerpts, and Commentaries section for some opening passages (or just click here).
Want the full sample? Request a PDF or ePub version by hitting the button below! (Or email mail@papillon-du-pere.com.)
“The delivery of Dean’s misadventures and literary pursuits assumes an unusual form that invites readers into his perceptions and experiences from its opening lines.”
– D. Donovan, Sr. Reviewer, Midwest Book Review

The Kindle e-book is available June 01 for pre-order, ahead of its Monday June 15 release. The paperback will be available Friday June 12 to order for delivery on (or even before!) publication day.
“What works best here is Dean’s voice. He is funny, self-lacerating, observant, and grandiose enough to stay interesting.”
– Kyle Eaton, Manhattan Book Review [rated 4.5/5]

Manhattan Book Review will publish its review of The Accidental Future of Dean Harris.
Kyle Eaton at Manhattan Book Review loves Dean Harris!
Rating the book 4 1/2 out of 5, here's some of what he had to say:
“Derek McFadden’s The Accidental Future of Dean Harris is a novel about artistic ambition that understands how humiliating ambition can feel from the inside. Dean is an unpublished writer, an underpaid literary gatekeeper, a man with cerebral palsy, and the sort of person who keeps building his life around the conviction that the real version of himself is still just ahead. McFadden gives him a nonlinear six-part structure to move through therapy sessions, family history, romantic memory, professional frustration, grief, and the stubborn hope that a future self might still arrive. That structure sounds fussy on paper, but it suits a book obsessed with revision, not only of manuscripts, but of the stories people tell about their own lives.
What works best here is Dean’s voice. He is funny, self-lacerating, observant, and grandiose enough to stay interesting. The novel gets real mileage out of his relationships, especially with Claire, his partner in both emotional survival and the doomed-sounding bakery-bookstore dream Treats and Tomes, and with the older literary champion Charles Corning, who keeps pushing Dean to stop being afraid of the truth in his own work. McFadden is also sharp on the small abrasions of literary culture: unpaid labor, agent rejections, ego disguised as mentorship, and the way talent can curdle into self-protection...
Readers will find this is a smart and emotionally candid novel about art, disability, love, and the dangerous comfort of waiting for your life to begin."

Diane Donovan, senior. reviewer at Midwest Book Review, enjoyed finding out about The Accidental Future of Dean Harris.
"The Accidental Future of Dean Harris is a novel presented in vignettes about a writer who searches for and achieves literary success – only to find that his heart’s desire brings with it a challenge to his ideals of life, death, and achievement.
The delivery of Dean’s misadventures and literary pursuits assumes an unusual form that invites readers into his perceptions and experiences from its opening lines:
We’re seated next to each other, you and me, in a warm, metaphorical train car aboard a sleek, metaphorical train when you stop reading your book, insert a bookmark, glance over, and ask me what I do for work. I’m not sure why you ask. Maybe the temperature invites discourse. I work at all hours, I tell you. Then I realize—in part thanks to the quizzical look on your face—that you aren’t in search of a vague, opaque answer from me. You want more. A real conversation to pass the time.
What Dean does is write. His output syncs with his inner concept of who he is—until everything changes. Derek McFadden chronicles Dean’s evolutionary process in six sections of revelations which are interconnected, but fluctuate in time, place, and considerations. These may challenge readers used to a linear timeline of events and sequential discoveries, but will thoroughly delight in drawing close connections between the visions of disabled Dean, literary achiever Dean, and other incarnations as he considers the courses of his life and impact of both chance and his choices:
A young Dean Harris was impressed but remained appropriately dubious. I didn’t think his Heaven was the real Heaven, but there was a chance Dad and I were unfair years ago in our judgment of the book and the man. If Heaven’s Gate was right, then when I got up there, my palsy would be gone, and people wouldn’t see me as a disabled drain on society (as my drunk stepfather did, and as I too often saw myself). I’d be the writer Dad and I had always known I could be, and folks would demand early access to my latest heavenly releases!
Readers contemplate a plethora of influences, from a father’s relationship with his son to the importance of Dean’s dog,Blackberry, to Dean’s relationship with girlfriend Claire, plus his living with a disability, regrets and self-permission, and more. The dovetailing of personalities, themes, life cycles and encounters, and the ultimate question of whether Dean’s future is truly accidental makes for a thought-provoking journey that considers the ultimate impacts of all kinds of events and choices.
Librarians seeking a literary novel that puts disability and achievement in a different light will welcome how The Accidental Future of Dean Harris builds its characters and revised images of success, failure, and what lies in between.
Its ability to draw with dreams, visions of the future, and revised connections makes for a winning story that is hard to put down."

Check back soon for more news and updates in the coming days and weeks.

Scroll down for some opening passages. Like what you see? Request the full sample here. (Or email mail@papillon-du-pere.com.)
THE ACCIDENTAL FUTURE OF DEAN HARRIS
CHAPTER ONE [excerpts]
Rejection will, for all time, stand as the most personal, most painful verdict that can be delivered in all of human experience. The most painful thing about rejection is how it is so commonly as impersonal as a prostate exam and as final as a terminal diagnosis.
It’s not you, it’s us. But it is also sort of mostly you.
We loved your idea, and we know you worked hard coming up with it, but we didn’t love it enough, and we’ve chosen to go in a different direction.
If only you were just a little bit taller.
If only you didn’t have that pesky cerebral palsy of yours …
I was well acquainted with all of these. And, as much as I wanted to, I’d never forget the variant of rejection that was wholly its own thing, the literary kind.
Such a missive arrived e-mail-addressed to me in 2015. By then, I’d come to know rejection well, but I’d not yet professionally rejected anyone. This particular rejection read:
Dear Mr. Harris:
First, thank you so much for submitting your work to me. Your piece had some fine writing in it, a cast of finely wrought characters, and a true heart at its center. Unfortunately [...]
(It’s that unfortunately that no writer wants to see, but—once they’ve seen it—they can’t unsee it for anything.)
[...] while I enjoyed reading your work, I’m afraid it’s not for me. I’m just not sure how I would market this story, and for that reason, I’m going to step aside. I’m sure another agent will feel differently. This is a subjective business. Do not lose heart!
Sincerely,
Caroline Brash
Brash & Braver Literary Agency
That note had come in about thirteen months before my writer-dad got his big break—and I got this job that isn’t exactly a job. Despite Ms. Brash’s assurances that my literary luck would turn, no agent had yet felt differently about my autobiographical novel, the words that darkened the pages that made all my pain make sense to me.
I went through hell so my readers wouldn’t have to, I told myself.
None of the ninety-five other agents I’d queried agreed with me. They were all in Camp Caroline. I wished I could glimpse the future. Not through a crystal ball; such an implement would be far too cliché. But why not, say, a little porthole that could show me something of what was actually to come? I’d been convinced, some time ago, of what that would be; the lexiconic greatness my father and I had believed was awaiting us both, our shared destinies. Dad still held to this belief. For me, it was fading too fast. I’d grown pragmatic as I’d come to understand the business side of publishing, and without such a hopeful view to sustain my dream—the lights through the future’s window winking at me, beckoning me to join them—perhaps I was destined to remain forever a literary leftover of whom publishing declared, in concert: “Close all the gates and bar all the doors! He’s not coming in!”
CHAPTER TWO [excerpts]
A little over a year after that note from Ms. Brash—and about seven years ago, in 2016—my phone came to life deep into a fall night. I was up late writing.
“Dean!” My father, Damon Harris, was far from a conscientious caller.
“What’s up, Dad?”
“How’s that girlfriend of yours? Carol, right?” Dad wasn’t being insensitive, just my absent-minded dad. That and he wasn’t great with names.
I was still hurt.
“Her name is Claire.”
And we had been dating, off-and-on, since college. Dad had met her one Christmas, our first together, whether we were admitting it to ourselves then or not, and he’d spent hours with her in the ensuing years; indeed, he’d been in her presence more than a few times. She and I had been officially on, in my mind, for the last five years. Our friends-with-benefits period notwithstanding, and created by me—unilaterally and without discussion—so I wouldn’t lose Claire when I eventually lost her. As it turned out, I hadn’t lost her. She had stayed. Claire would say we were never really off in all that time, though we still didn’t live together. Not yet. I wasn’t dragging my feet, but I wanted to at least be published before cohabitation.
“I am sorry for calling so late, kiddo, but I thought you’d want to know… since we are best buddies …” The dramatic pause was Dad’s figurative drumroll. He hadn’t used his “best buddy” line in years. It had worked when I was a kid. I doubted it was still true now, but I wouldn’t stop him. “I found an agent, Deano! An agent!”
It’s an odd dichotomy. Being, on one hand, so happy for another’s good fortune, yet at the same time, I wished I could hurl myself headfirst from the highest point I could find, knowing full well as I fell that, in the falling itself, I’d be calling it a life, bringing about a premature end made up of equal parts disappointment and relief.
I said nothing for a long beat.
Continues in The Accidental Future of Dean Harris, available June 15.
Request the full sample. (Or email

Check back soon for teasers, excerpts, and commentaries from the authors.

We asked Derek for a few titbits about the creation of Dean Harris...
I’ve always been fascinated by the “invisible” versions of our lives—the ones that exist only in our late-night “what ifs.” Dean Harris is a character who represents all of us who have ever looked at a successful stranger and thought, That should have been me.
Writing The Accidental Future of Dean Harris was my way of exploring the gap between the success we chase and the happiness we actually need. I wanted to write a story for anyone who feels like they are currently living in the “draft” version of their life, waiting for the real story to begin. Like the works of Mitch Albom, I hope this book serves as a gentle reminder that our “accidental” moments are often the most meaningful ones.
I can’t wait for you to meet Dean—and perhaps, in his journey, find a little bit of your own map back to the present.

Derek McFadden is an author, a poet, a podcast presenter, a radio enthusiast, an unapologetic fan of the Seattle Mariners, and a former March of Dimes ambassador.
He lives with a mild version of cerebral palsy, and his eyes aren’t great at being eyes.
Derek’s acclaimed novel What Death Taught Terrence was a Next Generation Indie Book Award Finalist 2021 and the Best Adult Fiction Winner at The Wishing Shelf Awards 2021. The audiobook version, read by the acclaimed B.J. Harrison, was a Best Adult Audio Book Finalist at The Wishing Shelf Awards 2021.
Derek’s second novel, The Santa Claus Agreement was published in 2022, finally lifting the lid on exactly how Santa Claus works. A Wishing Shelf Awards Red Ribbon Winner, it debuted to rave reviews … just not enough of them. We blame Santa and his conspiracy of silence.

Check back soon for more interviews and chat with the authors and book creators.

From the front and back again...
You’ve seen only the front cover so far… But now you can get a better idea of the whole cover concept with this flat artwork for the paperpack. And for the first time, we can reveal the text on the back cover, too! It's a variation of the text we've done for the online sales pages.
Come and have you say over on our Twitter page, @PapillonPere. Let us know what you think.

Here it is! The cover literally everyone has been asking to see. Well, almost everyone.. Okay, some folks ;)
It took us a while to get to this choice—and then finalize all the elements—with other versions we developed and rejected.
Check back in the coming days and weeks to see some of the rejected cover versions and find out why they were abandoned. And we’ll talk about this final cover in more detail.
Come and have you say over on our Twitter page, @PapillonPere. Let us know what you think.

The beautiful cover image chosen for Dean Harris didn’t come about by accident—if only!
The image above is actually the one we put up on NetGalley. And we (author Derek, designer Mark, and publisher Jay) all agreed it was good. Great even. We loved how the brightly lit portal stood out thematically for the Dean’s story and pictorially for the cover.
Nailed it! Backslapping ensued. Until we heard from a more expanded reader research base that we um… didn’t nail it…
“Not sure what kind of book this is.”
“Is this book sci-fi?”
“Is Dean off on some kind of huge metaphysical journey?”
“Erm… I’m getting time travel?”
“This IS cool, but what kind of story are we getting?”
Thanks to all who kindly gave excellent feedback on social media and those readers who grabbed an ARC on NetGalley—yes, voting the cover down (67%) told us to reassess the cover, so thanks. Really.
Designer Mark had this to say. “It fit the brief so well. And graphically you can see how neatly the elements sit together, I hope. But… then you hated it! We talked a little bit about finding an image that was brighter, that might draw the reader in.”
We did.
Derek and his wife, Monica, really liked a previous iteration, where we had both Dean and Claire on it, suffused in cyan and red and yellow. “I loved the romantic feel of that one,” Derek said. “This portal looked so cool—I love that about it. But should we have Claire on it, like before?”
Turns out that was good insight. So, how would we fix it?
Jay: “Let’s make it about the couple, but have them smaller so it doesn’t scream romance. And let’s avoid all reds. And let’s find something pretty.”
Mark agreed, although he lamented how we might lose the strong glow of the portal. “Could we still keep that idea in some way and make it not suggest sci-fi?”
That was the challenge.
And then we found some old teal-and-yellow image. Begging us to use it :).
Come back soon and check out more cover iterations. Sneak peek: there were 4 major iterations before we got to the final one! You’ve seen version 4 of the 5.

Check back soon for images and artwork in the coming days and weeks.
Copyright © 2021 Papillon du Père Publishing – All Rights Reserved.